Search
Recent Entries
Twitter
Responses
  • Contact Me

    This form will allow you to send a secure email to the owner of this page. Your email address is not logged by this system, but will be attached to the message that is forwarded from this page.
  • Your Name *
  • Your Email *
  • Subject *
  • Message *

Entries from September 26, 2010 - October 2, 2010

Friday
Oct012010

The Anti-Gladwell: Small Change Indeed

I have always wondered why Malcolm Gladwell was such a successful writer. He has a knack for taking simple, obvious phenomena and turning them into stories. “Outliers” is an interesting book about the many elements that have to come together for someone to be successful or for someone to fail. It is well written, but left me as all of Gladwell’s books do, with the sense that he skims the surface of events and has the rather uncomplicated aim of informing not probing. He is the quintessential postmodern writer. Factoids are personalized into stories, claims are made and dropped, personal narratives are unveiled and in all of this, significance is drawn from the trivial in the blink of an eye. He is very good at pastiche and as a bricoleur he knows how to bring different experiences and events together that often don’t seem like they should be linked. His books are soothing, neither brilliant nor banal. 

Use a QR scanner app on your iPhone or Blackberry to retrieve more information about Gladwell.

It should therefore not be surprising that he would write an article in the New Yorker about a genuinely new cultural phenomenon like social media. After all, social media pose a challenge to writers like Gladwell. Social media as a term probably describes too much because all forms of communications are social. Twitter and Facebook are hardly the essence of social media and that is all that Gladwell focuses on. But, I am getting ahead of myself.

Gladwell is a good polemicist. So, in the New Yorker article he sets up a simple opposition, the civil rights movement of the 1960’s as an agent of massive change and Twitter and Facebook as weak networks, amorphous by design and therefore unlikely to be agents of genuine social transformation — not that either Twitter or Facebook were ever built to be change agents, but a polemicist does not care too much about these distinctions.

The civil rights movement was the product of many events and many people working and dying for change. The history of that movement is very complicated so for a moment, let me concentrate on Galdwell’s use of the Greensboro sit-in in 1960 which is often described as one of the key events in the growth and development of the civil rights movement. No less an authority than Taylor Branch whose history of that period (Parting the Waters and At Canaan’s Edge) runs to two volumes and over two thousand pages comments on the rather weak way in which the protest began. “No one has time to wonder why the Greensboro sit-in was so different. In the previous three years, similar demonstrations had occurred in at least sixteen other cities. Few had made the news, all faded quickly from public notice…” (Page 272 of Parting the Waters)

Branch goes on to talk about the fact that the small group of protestors had no tactical plan or goals and they were not prepared. The spontaneity of their protest and the fact that they decided to sit in the wrong place (reserved for whites) in a café in Woolworth’s was the result of deeply felt emotions about the racist way in which black people were being treated and about the built-in racism of the US.

Their protest was open-ended and the networks of activists working in the South became aware of what they were doing through the radio and telephone and as Branch describes it, ‘parallel lines of communication’. In other words, the message traveled without needing to be framed and shaped into a particular form. There was no centralized control or authority. People found out by whatever means they could.

Gladwell doesn’t mention this because it would show how similar the networks of the sixties were to social media today. I assume that had he done the research, Gladwell would have discovered that newspapers both traditional and informal were also key arbiters in the development of the movement and that the growth of television as a mass medium closely parallels the increasing breadth and depth of people’s commitment to getting involved. Notice that I refer to this period, as does Gladwell as a movement. Unpack that word for a moment and you will discover that “movement” is at the core of what Martin Luther King pursued. He wanted people to spontaneously rise up against injustice. He knew that if he over-organized both the protest events and the speeches, people would not move as quickly or spontaneously to join together. Movements are fluid. They are not political parties.

Sounds familiar, doesn’t it? Social media are very fluid because that is how large communities of shared interest form and grow. For Gladwell, organized groups drive change with carefully built hierarchies. That is precisely what we have with traditional political parties but Gladwell doesn’t seem to care about the obviousness of the connection between the political stasis we are in at the moment and the hierarchies he celebrates in his essay. Worse, in a period when a new generation is discovering how powerful they can be if they cluster together on certain issues (he makes no reference to the environmental movement), he says, “we seem to have forgotten what activism is.”

Clearly, Gladwell doesn’t understand nor has he examined the heterogeneous nature of social media, their diversity and also the multitude of different ways in which social media are being used not only to promote change, but also to act on and respond to social issues. One can only imagine how wonderful it would have been for social activists working with King and others, if they had been able to utilize media they controlled as opposed to having to fight for a place on traditional news broadcasts.

Gladwell doesn’t discuss the grassroots nature of social media instead he conflates Facebook and Twitter with something far larger than what these two companies represent. Polemicists like Gladwell are fond of using simple binaries to explain complex phenomena. He says the strong ties of the people in the Civil Rights Movement held them together. He compares this to the weak ties of social media. But, the binary is wrong to begin with. Social media are neither strong nor weak. The ties that bring people together are thankfully more often than not, unpredictable. Sure, there is superficiality in all of this and of course Twitter restricts what can be said to a few sentences. But, this is no different from the restrictions of any mass medium with the crucial difference being that Twitter is produced by its users and not Rupert Murdoch.

Taylor Branch tells the interesting story of the historic day (July 10, 1962) when television images ‘leaped’ across the Atlantic ocean for the first time using the Telstar satellite. As it happens, Martin Luther King and Ralph Abernathy were in jail in Albany, Georgia and one has to wonder what would have happened if a million people had twittered about the imprisonment.

Social media are not a panacea. In fact, social media are hard to define because an increasingly complex communications environment frames so much of what we now do. However, networks are not going to go away (Gladwell completely misunderstands the history of networks, but that will have to be the topic of another essay), rather we need to understand how they work by actively participating in their construction and use. The challenge is to work with social media networks to deepen the manner in which users connect to each other. We are at the very early stages of the formation of new types of communities driven by common interests, conflicts and often utopian desires. Polemicists like Gladwell have nothing to add to this debate.  

 

 

Tuesday
Sep282010

Beijing and the clash of history

(Note: A day after this blog entry was completed, Arthur Penn, one of the greatest filmmakers of the 20th century died. Big loss for those of us who love the cinema and its history.) 

China sits somewhere in between the pre-modern and the postmodern world, or perhaps it might be better to say the pre-modern and the postmodern share the same sidewalks, highways and restaurants. A recent visit to Beijing and Tianjin taught me a great deal about the challenges and opportunities within China today and what this means for Westerners trying to engage with Chinese culture and education.

Beijing is a city in constant motion, surrounded by six ring roads many of which intersect in the most bizarre fashion imaginable. The style of driving says a lot about the psychology of the country today. Cars simply move over when they need space irrespective of whether or not there is room to do so. The goal is to get from one point to another irrespective of the consequences. Cars even drive in the emergency lanes and there are cameras everywhere. Traffic jams are so constant that there is a saying in Beijing, that you can only do one or two things in any given day. This is not only because the distances are so great, but also because for the most part it is just impossible to get from one end of the city to the other in a reasonable time.

The city is full of fascinating juxtapositions. Expensive high-rises and hotels sit astride poor areas that have little or no sanitation and where people live in fear that their homes will be expropriated. The older areas of Beijing are constantly disappearing to be replaced by sometimes innovative and extraordinary architecture and other times by square boxes with small apartments. At the same time, the Central Villa District on the outskirts of Beijing looks like parts of San Diego, only with bigger houses and more international private schools. Contrast this with the Hutongs — areas of Beijing with narrow streets and laneways, small houses, cafés and a vibrant street life and you get a sense of how the city, but also the country is evolving. The interface of old and new is so stark and so intense and so ever present, that the city feels like it is boiling over with sometimes wonderful and often times startling contradictions.

Nonetheless, Beijing is vibrant, full of energy, cultural activity and the pursuit of entrepreneurial success. It feels like a city at the start of a new era. Beijing is discovering its roots and its new direction, just as the country is, but this is also covering over its many contradictions. It is a city defined by pastiche, where imitation rules amidst innovation. Although the past remains dominant, the future hovers like a geodesic dome over the entire population and with so many cars is part of the reason that the city is so polluted. The few historical buildings that remain are like parkland in the midst of urban chaos.

A visit to the district known as 798, which is over 150 acres of buildings and streets and cafés and shops devoted to culture, art and exhibition deepens the interface and also cracks the façade of state authority. Some of the art is outrageous, a mixture of Dada and Surrealism. Some of the art works take images that just a few years ago could not be duplicated because of their supposed sanctity and strips them of their logic, let alone their iconic importance. Contrast this with the guards at the Forbidden City who don’t allow photographs to be taken of Chairman Mao’s red portrait embedded in the main wall of the entrance to the Forbidden City.

The ubiquitous presence of giant LED screens on many of the new buildings attests to the desire for every object to somehow reflect the rush into post-modernity. There has not been enough time for modernity to instill some of its better values into the culture, with the result that there are breaks and cracks everywhere. Bathrooms in the main museum have no soap and no toilet paper and no toilets, just holes in the ground. There is a disheveled look to some restaurants and turn a corner and you are suddenly in the old China. The subway looks relatively new but try and take a train at rush hour!

The Silk Market incarnates the ironies of China today. It is in a building that sits on a Subway line with restaurants like Flat White (from New Zealand) serving western food next to large garbage bins, which are constantly being filled and emptied. The market itself is one hundred percent fake. Rows and rows of knock-offs styled for western purses which after a while start to look more and more real. Young Chinese women entreat you to enter into a Faustian bargain with them and they dominate the entire market. They have a carefully nurtured look of naivité as if each buyer is worth a conversation. Buy the fake Marc Jacobs bag! Here is a real Bally purse! Real, real, real! The goal is to break down resistance. The average tourist overpays for junk in order to justify having come there in the first place. The market is designed to hypnotize buyers and it does, but not by waving a key chain in front of your eyes, but by giving you enough mirror images of your own desires that you finally give in. It is voyeurism, narcissism and consumerism that drive sales, not value or even functionality. When a fake Sony camera was thrust into my face, I remarked how real it looked and how it could not possibly last since it was made of cheap materials. I was challenged to prove my point and told that the camera was at least as good as a Sony one.

The antique market further extends the ironies here since for the most part it is trash and treasure and even amidst some beautiful laneways, many of the goods come from India. Some small stores with individual artisans working in wood were striking and it was here that I found myself next to people who might if given the opportunity carve out a new role for Chinese manufacturing.

District 798 of everything that I saw and experienced struck me as the incarnation of the new China where the balance between art, innovation and vision was obvious and not hidden.